I explore the materiality of clay and the somatic and kinaesthetic experiences that clay evokes.
Through the language of clay, I invite conversations.
Working with clay is also an internal dialogue I have with myself, oscillating between mindfulness and mindlessness in making.
Currently, home is Redfern of Dharug Country and Watson of Ngunnawal Country.
I am finding a choir to sing in again. And waiting for a cat to adopt me.
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Solo exhibition 個展
「物」 「事」 「心」- 當代陶藝展, 中國瀋陽紅梅文創園
“Object Matter Mind” Contemporary Ceramics Solo Exhibition Shenyang, China
Selected group exhibitions 群展
Lake Art Prize 2022 finalist exhibition, Museum of Art and Culture yapang, Lake Macquarie, Australia
「北方的溫度 - - 重構」, 中國瀋陽別處研究室
“Refactor - Northern Temperature”, Aillieurs Lab, Shenyang, China
“Rethinking Society of the Spectacle”, Luxun Academy of Art, Shenyang, China
Graduating Exhibition, Australian National University
Residencies, symposiums and others 駐地,研討會與其他
「新的意境 - - 茶道與器物」, 日本駐瀋陽總領事館
“New interpretations — Way of Tea and Vessels, Collaboration with Tea Master Motoko Katae”, Japanese Consulate in Shenyang, China
Residency at International Studio, Taoxichuan, Jingdezhen, China
Workshop on adapting Masakazu Kusakabe’s woodkiln for the Chinese environment cum Exhibition of outcomes, Rizhao, Shandong, China
Nov 2019 & 2020
Lincang Woodfire Camp, Yunnan, China
China (Zibo) International Macsabal Silk Road Wood Firing Symposium, China
Academic qualifications 學歷
Bachelor of Visual Arts (Ceramics), Australian National University
Sept 2017 – Jan 2018
Exchange student, China Academy of Art, Hangzhou, China
Studied ceramics in various private and public institutions while living in Australia and Turkey
Visiting Scholar, Goldman School of Public Policy, University of California, Berkeley
Master of Law in Chinese and Comparative Law, City University of Hong Kong
Bachelor of Business Administration, Chinese University of Hong Kong
Website updated November 2021